New Releases
Esclarmonde 1976
YSL 0986 T..
Il trovatore 1987
YSL 1002 T..
Tosca 1965
YSL 1020 T..
Andrea Chénier 1962
YSL 1024 T..
Andrea Chénier 1966
YSL 1031 T..
Art Tatum Vol. 2
YSL 1554 78..
TENNSTEDT Vol. 72
YSL 1561 T..
Blue Note Vol. 3
YSL 1650 78..
Raretés américaines Vo. 18
YSL 1718 T..
Erich Leinsdorf Vol. 17
YSL 1731 T..
Fats Waller Vol. 9
YSL 1762 78..
Maureen Forrester Vol. 12
YSL 1790 T..
Jasha Horenstein Vol. 17
YSL 1806 T..
Jean Martinon Vol. 36
YSL 1822 T..
Oskar Fried Vol. 2
YSL 1824 78..
Celibidache Vol. 18
YSL 1832 T..
Cleveland Orchestra Vol. 14
YSL 1834 T..
George Szell Vol. 21
YSL 1837 T..
Roger Désormière Vol. 10
YSL 1843 T..
Christopher Keene Vol. 16
YSL 1858 T..
The French Broadcasting System in North America Vol. 1
YSL 1865 33..
Raretés françaises Vol. 26
YSL 1867 T..
No filtering, exact speed, appropriate needle, re-centering for
absolute stability. When all the frequencies are preserved, the results
bring out incredible musicality and presence, a true feeling of live
performance. The instrumental and interpretative genius of the greatest musicians of the past is finally revealed.
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All prices are in Canadian Dollar ($ CAN)...
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DOWNLOAD IS NOW AVAILABLE !!!!!
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YSL 78-203 & 78-214 - Adolf Busch Vol. 1 & 2
“Lovers of chamber music should waste no time in acquiring [the above] for they are gems of the first order – not only for the performances, but [also] for the excellent transfers. Much care has been lavished on them by Yves St-Laurent who corrects speed and pitch, recenters the 78s, manually removes the most intrusive ticks and pops, and most importantly uses no filters so there is no loss of whatever frequencies and detail are to be found in the grooves…. astonishingly lifelike, though the recordings are three quarters of a century old….The ‘Kreutzer’ Sonata is quite simply one of the finest performances of the work ever committed to disk. It is fiery, brilliant, and a true partnership of equals. It also keeps rather strict time, which adds immeasurably to the momentum; indeed, it makes one realise how much the rhythm is pulled about by many other performers… Do not miss these beautifully restored and immensely rewarding recordings.”
- Tanya Tintner, Classical Record Quarterly, Autumn, 2014
Video of the interview with Patrick Masbourian
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